Archive for October 29th, 2007

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What happens when you cram 17,000 watts of pure audio power into a 2006 Ford Expedition? Apparently, it makes the whole thing bounce and shake like a giant slab of SUV-shaped Jell-O, or, as TechEBlog points out, an earthquake. Just watch the video as his 22-speaker sound system makes his iPod dance and the roof shudder like flag in the wind. This guy should be hired by the Pentagon to head up its aural warfare project, since his new car kit is certainly a weapon of mass destruction.

And if watching this guy re-enact the classic Maxell Tape commercial wasn’t intense enough, you can also head on over to his YouTube Channel where there’s a video featuring speakers that rip his ceiling panel out.

From TechEBlog

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If you’ve been wondering what Disgaea 3 will look like on your HDTV, we’ve got a gazillion new screenshots to frisbee throw at you. Yep. The sprites are still the low-res generally-recycled stuff from the last generation of consoles, but they do look like they’ve been softened up a hair. The level design is still quite basic, but totally smooth. NIS isn’t taking home any trophies for graphics, but it’s always been their gameplay that grabbed us. This will probably succeed in that, so the fact that we privileged PS3 owners get first dibs is icing on the cake.

We’ve also received word that a release date for the addictive strategy RPG has been set — January 31, 2008 is the date for Japan, so if you’re an import-savvy fellow, there’s probably not much you’d miss besides the humorous dialogue. If you’ve played the previous games, you’d be able to figure this out. Just a few more throwing options and monster fusions. Oh, and be sure not to choke on any pretzels and die. The Netherworld would miss you.

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Dara Kushner/INF; FNY/Finlapixx

GWEN STEFANI, taking her adorable son Kingston, 16 months, out boutiquing with her in New York’s SoHo neighborhood. What were they buying? Stefani and her son browsed toys during the visit — and Kingston appearing one of the sweaters they bought the next day!

– Also in SoHo, HALLE BERRY, going shoe shopping at té casan along with her boyfriend GABRIEL AUBRY. Her purchase? One pair of Niki Robinson for té casan booties.

ELISHA CUTHBERT, taking a break from shooting her film The Six Wives of Henry Lefay (in Stamford, Conn.) to hit up the LF Greenwich boutique during the store’s event for the Breast Cancer Research Foundation. There, Cuthbert picked up jeans (2056’s by Furst Premium Denim) and some metallic, high-waisted Poseia pants.

EMMY ROSSUM, shopping at the boutique Milk on 3rd Street in Los Angeles. The singer-actress looked fresh faced and wore a black dress, jacket and beret. Down the street her handlers ordered her a fruit plate to go from hip eatery Toast. Their next stop: Dolce & Gabbana.

REESE WITHERSPOON, picking up a Derek Lam dress at Elyse Walker in Pacific Palisades, Calif.

RICHIE SAMBORA, treating a blonde female friend to some heels at Jimmy Choo on Madison Avenue in New York.

BECKI NEWTON (of Ugly Betty), sharing a day out with her mother at Beverly Hills’ boutique Harmony Lane in Beverly Hills yesterday. Looking casual, Newton grabbed nine wraps (one in every color!) from Goddis and Purple 7. She also made sure her mom had matching wraps. (Aww!)

JESSICA SIMPSON, stopping into beauty mecca The Cosmetic Market & Take Out Café while hanging out in Nashville. The singer loaded up on eye shadow, lip gloss, blush and more.

It’s raining stars on the sets of Om Shanti Om. Farah Khan’s new movie Om Shanti Om has 31 stars performing in the title track. It is for the first time that all these stars have come up together. Deewangi is a beautiful no. and it has a cool fusion of Qawalli, Bhangra and western […]

E-Ten mobile TV handsets in 2008 E-Ten Information Systems are currently working on plans to launch its own mobile TV handsets next year, supporting the DVB-T standard at first. Subsequently, future handsets will see support for multiple broadcasting standards to cater to a wider audience. These handsets will do really well in Japan as well as Korea where folks there often carry phones which come with some sort of TV reception capability. Hopefully battery technology would have progressed even further by then so that one will be able to watch TV the whole day long without running out of juice.

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Well for the sake of all of the naysayers out there, I hope they’re finally used to the idea of Daniel Craig as James Bond because it looks like the guy’s going to be around for a long time. The Hollywood Reporter spoke with MGM head Harry Sloan about the current state of the strike and other MGM business activity. According to THR , Sloan spoke about the importance of a successful franchise, calling them, “the base of any studio”and that is why he “signed Daniel Craig to do four more James Bond films”. Most fans were already aware that Craig signed to return as Bond for the 22nd installment, but four more films is a big commitment. My guess is that MGM is securing Craig just in case … Zac Efron needs a few more years? At least this way they won’t have to go through another grueling casting process. Personally , I couldn’t be happier; I was a big fan of Craig’s take on the super spy, as I’m sure a lot of you were.

Bond 22 is already well underway and principal photography is set to begin this January, after the date was pushed back from December to accommodate any lost time due to the strike. Filming will take place on location in Italy, Austria, Panama and South Africa, as well as some studio work back in the UK on the newly christened 007 stage. Plus, there are still plenty of little details to work out: there’s the matter of a new Bond girl, a title, and a theme song. Heck, it’s possible (and likely) that Paul Haggis’ script isn’t finished since there’s been talk of re-writes. Regardless, Bond 22 is set for release in November 2008.

[via Firstshowing.net]

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Most ColdFusion programmers have heard of Ben Forta -the leading CF “guru” since the Allaire days. The author of no less than six editions of the definitive “ColdFusion Web Application Programming Kit” books, affectionately known as CFWACK or “the bible” around many a CF shop’s office, Ben travels the world as Adobe’s Senior Technical Evangelist speaking and writing about ColdFusion. Having just got back from the Adobe MAX Europe conference (held in Spain), he’s next headed to Adobe Max Japan, then to Australia for a series of events on ColdFusion 8, Flex and AIR in late November. Called CFCAMP, the Australian events will be part formal presentation and part unconference, barcamp-style, so if you’re down under they should be worth getting along to - registration is now open.

Before Europe, MAX kicked off in Chicago at the end of October. Kai Koenig, New Zealand-based developer, blogger, trainer and director of Ventego Creative, was there and was kind enough to answer some of my questions about the event.

Kay: Attending Adobe MAX 2007 must have been pretty exciting. Have you been to MAX in previous years, and if so was it any different under the Adobe banner?

Kai: Yes, the first major (at that time) Macromedia conference I’ve attended was the Macromedia DevCon 2002. From then on, the MAX conferences have become a must-be-there event for me.

Some people avoided the MAX conferences during the last few years (and particularly in 2006) as they felt it was too much of a corporate, purely marketing-driven event. To a certain extent I have to agree with that, Macromedia and Adobe are obviously putting in a lot of effort to show off their technologies and to convince people to adopt more products of the Adobe platform. But I recommend not to overestimate this effect - by far most of the speakers are highly motivated and love the technologies as much as you and I do and there’s an overwhelming choice of sessions and stuff to learn.

Kay: According to the web site, there were over 200 sessions organised into five tracks. Adobe obviously have a lot of products to cover - how well was ColdFusion represented? Was it hard to decide which sessions to go to?

Kai: I’ll answer the second question first: Yes, it was bloody hard to make a call what to attend :) Luckily I’ve been attending with another person, so that Diane and I were able to cover a whole set of different sessions/technologies.

When it comes to ColdFusion - you would be surprised how many CF-related sessions were available. Besides talks focussed on particular CF features such as CFCs, custom tags, printing etc. there were also a lot of sessions showing how to use ColdFusion as an integration platform, i.e. as a backend for Ajax- and/or Flex-based rich clients, hooking up CF with the PDF workflow engine LiveCycle, etc.

In terms of the attendees - the majority of attendees described themselves as ColdFusion developers during the registration process. You came across people who actually work with CF one way or the other all the time.

Kay: What was the highlight for you?

Kai: Well, really hard to say. In regards to new products and stuff that was shown - my highlight was one part of the sneak peek session. Scott Petersen, one of the Adobe-internal computer scientists showed a tool to convert C and C++ code libraries into ActionScript to use them (with a particular toolkit to hook them into SWF) for basically any AS 3 coding. He showed an example of running Doom within the Flash Player using Flash-based overlay messages within Doom, i.e. when the player picks up a weapon. Most of the people didn’t get the idea though how powerful the Flash Platform suddenly becomes if this type of integration becomes publically available and he didn’t get the standing ovations and cheering he should have earned.

My other non-technical highlight is the networking aspect of the MAX conference. Being involved in a lot of community activities and travelling to conferences all of the place during the last few years, you “pick up” a lot of friends along the way that you can’t see that often - just because they live on a different continent or at the other end of the world. MAX is always a nice opportunity to catch up, have a few beers, watch “weird” American sport events (sorry, US folks - but with being brought up in Germany (Soccer) and living in NZ now (Cricket, Rugby), it’s hard for me to get all of the excitement :-)

Oh yes, a whole bunch of stuff. Besides the C/C++-2-AS converter, Adobe showed great integration efforts when it comes to bringing the Flash platform and the Acrobat Reader together. One example they demonstrated was executing a Flex application in the Adobe Reader and additionally using Connect collaboration technologies that actually allowed you to work IN the document. We’ve also been shown a very nice and transparent integration of ColdFusion and AIR using an experimental library (which might at some point hopefully become part of a CF 8 updater or part of CF 9).

Also - Adobe’s swing towards hosted services is pretty amazing. The acquisition of the Buzzword guys was awesome enough, but Adobe also work on a hosted Photoshop Express solution (it’s based on Flex) and huge improvements to their VoIP layer of the Connect platform.

Kay: We always hear about the parties at conferences - got any great stories for us?

Kai: Parties? Ehhhhh - no idea what you’re talking about here. Obviously I’m not going to got into personal details here, but the official conference party was some sort of a retro-futuristic geek-fest with all the stuff from the 80s, 90s and this decade we love - talking about arcade games and other stuff. So - there might have been a few “non work” events :)

Kay: Finally, we keep hearing this rumour that ColdFusion is dead. As a ColdFusion developer, are you worried?

Kai: Yeah, right. This seems to be the rumour that never dies. I’m pretty much aware that a lot of people have stopped following the evolution of the technology since CF 4 or 5 and not even closely aware what CF 8 is able to deliver. Large parts of my own business are based on ColdFusion and I’m pretty happy with doing so - which doesn’t mean that we don’t look into other technologies, i.e. Ruby on Rails is very interesting, so is the Java-based scripting language Groovy.

At MAX, I had a very interesting talk with Tim Buntel (Tim just moved into the role of being the Flex Builder Product Manager) and Kristen Schofield (who is taking over Tim’s former role as the Product Marketing Manager in the CF team) about the situation of ColdFusion internally in Adobe as well as externally and I’m very confident that we’re going to see a few more major releases of ColdFusion. Particularly when it comes to a deeper integration of CF with other Adobe platforms, I’d expect a bunch of very cool things to happen within the next few years.

An argument that always comes up when people opt against CF is the price and the fact that it’s not open-source. As you’ve correctly mentioned in one of your last posts - get CF hosting for projects with an extremely small budget or look into using an alternative CFML engine - Railo, IgniteFusion, BlueDragon just to name a few. You might not be able to the exactly identical functionalities as in Adobe’s ColdFusion server, but it might perfectly suit you for straight forward and standard web apps.

To make a point: No, I’m not worried at all about CF dying. I notice though, that the ColdFusion (sales) figures here in Australia and New Zealand (based on my experience it would be very similar in Europe) are below what they could be, whereas CF 8 is breaking all sales records in the USA. That’s a problem that Adobe has to tackle rather sooner than later as I feel they didn’t look after those markets well enough during the last few years, but as far as I can say for us antipodeans, I’ve noticed that things started to move and I hope to see more of those improvements in the future.

Kay: That’s good to hear! Thanks Kai - and hopefully I can come along too next year.

This article provided by sitepoint.com.

So! This’ll be the second time in a row I’ve embedded a flash dealy…but, honest, I just thought this was cool and will not be making a habit out of this kind of thing. I just thought this was cool.

If any of you have put off to the last second your pumpkin carving (actually, a good idea if you want them to live and see Halloween, depending on the troublesomeness of your neighborhood), here’s some handy info from the DesMoines Register!

I love templates like these. Without them, I’d just carve your standard default triangles-for-everything faces.

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Okay, so, iPhone nano — what do you picture? An identical clone of the original scaled down by a third? Yeah, us neither, which is why we’re calling out this alleged iPhone nano spy shot as a fraud. We’re not disputing that it’s real — in fact, we’d be surprised if it was a Photoshop job, considering how skilled the knockoff manufacturers have become at producing iPhone clones — we just refuse to believe at this point that Apple would inject zero innovation into the design of the iPhone’s baby sib. For what it’s worth, though, gadgetzone.nl says that its source absolutely insists that the shots are real and came from within Apple, which of course explains the Brand X monitor and PC keyboard in the background. We’ll believe it when Steve shows it, guys.

[Via Unwired View]

Update: It’s a media player. Rock on. Thanks, Deniz.

 

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Office Depot Featured Gadget: Xbox 360 Platinum System Packs the power to bring games to life!

Mariko Mori lives and works in New York. This November, Deitch Projects will be pleased to present Tom Na H-iu, an exhibition of new work by Mariko Mori. The title of the exhibition draws its name from the monumental 4.5 meter sculpture of the same name, and will be exhibited along with two other large-scale sculptures, Flatstone and Roundstone. The works develop Mori’s continued interest in a fusion of art and technology, Buddhism, and the idea of universal spiritual consciousness. Drawing from ancient rituals and symbols, Mori uses cutting edge technology and material to create a strikingly beautiful vision for the 21st century.

Mori’s last installation at Deitch Projects was Oneness in 2003, a project held in conjunction with the Public Art Fund’s installation of her Wave UFO project. Oneness is an allegory of connectedness, a representation of the disappearance of boundaries between the self and others. It is a symbol of the acceptance of otherness and a model for overcoming national and cultural borders. It also is a representation of the Buddhist concept of oneness, of the world existing as one interconnected organism.

Mariko Mori’s remarkable sculpture, Wave UFO was included in the 2005 Venice Biennale, after being exhibited in New York with the Public Art Fund and at the Palazzo Ducale, Genoa. It was recently included in her solo exhibition at The Groniger Museum. The Wave UFO is on view through January 2008, at the Aros Aarhus Kunstmuseum, Denmark, as part of Oneness, their survey of Mariko Mori’s work.

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