Filed under: Action, Classics, Comedy, Cinematical Seven

Can everyone guess where I am right now, and what I’m doing? I’m very thankful that the New Orleans airport has free wireless available while I wait for an airplane crew to show up for my flight, so I can return to sunny Austin. In the meantime, I have a laptop and Internet access and a stack of DVDs to watch. I am prepared. I can watch movies indefinitely if necessary, especially if I can get Hulu or Netflix’s Watch Instantly cranked up.

I have a few suggestions for packing / purchasing / (legally) downloading movies to watch on your laptop or other device in an airport or on a plane. Pick at least one or two movies that are old familiar favorites. Sometimes when you’re stuck in a terminal with poor food choices, a “comfort movie” can be your very best friend. In addition, I find it difficult to listen clearly to movies on an airplane or even in a noisy terminal (you don’t want the sound too loud, so you can hear updates on your flight’s delay), so it’s best to pick something where you already know what’s going on and don’t need to catch every last nuance of dialogue. Big goofy action films and physical comedies have an advantage over talkier films where you have to pay attention.

In compiling this list of specific recommendations, I tried to avoid the overwhelmingly obvious choices for watching movies in airports — personally, I don’t want to watch disaster films at times like this, or even spoofs of disaster films like that timeless comedy Airplane. The Terminal and Snakes on a Plane also a little too close for comfort. I thought instead of lighter fare, with scenes that emphasized the fantasy world of airline travel, good or bad, and the magic of escapism. Next time, I’m tucking a few of these in my laptop bag myself.

Continue reading Cinematical Seven: Movies to Watch While Stuck in an Airport

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Filed under: Action, Comedy, Romance, Universal, DIY/Filmmaking, Movie Marketing, Comic/Superhero/Geek

If ever there was a pairing to hipster fan-boys everywhere; it is Michael Cera and Edgar Wright. Think about it, Cera made a name for himself being the awkward hero, and who can write an unlikely hero better than the man who helped write the Blood and Ice Cream trilogy? In an interview with Wizard Universe, Wright got the chance to update the status of his indie-comic feature, Scott Pilgrim vs. the World (if you have also been waiting with bated breath for news on his Ant Man adaptation, there are a few tidbits to be had as well). So if you were worried that Pilgrim would fall by the wayside in the light of some of Wright’s other projects, fear not, all is well in Pilgrim-land.

The original series was about a young Canadian and wannabe-rock star who falls for an American girl with the memorable name of Ramona V. Flowers (aka, the perfect girl). But in order to win the lady fair, our slacker must defeat her seven evil ex-boyfriends in hopes of winning a date with his dream girl. Cera plays Pilgrim, the bassist for the terribly titled band, Sex Bob-Omb, and Mary Elizabeth Winstead will star as Ramona. Wright isn’t counting on making any more sequels the film as the comic was originally a 6-part series. Instead, Wright told Wizard that, “The script that we’ve written essentially covers all six. If it was at the level of Harry Potter we might be able to talk about doing six films but in this case our film is very much an adaptation of the entire six.”

Continue reading Edgar Wright Gives a Much Needed ‘Scott Pilgrim’ Update

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Filed under: Action, Classics, Comedy, Cinematical Seven

Can everyone guess where I am right now, and what I’m doing? I’m very thankful that the New Orleans airport has free wireless available while I wait for an airplane crew to show up for my flight, so I can return to sunny Austin. In the meantime, I have a laptop and Internet access and a stack of DVDs to watch. I am prepared. I can watch movies indefinitely if necessary, especially if I can get Hulu or Netflix’s Watch Instantly cranked up.

I have a few suggestions for packing / purchasing / (legally) downloading movies to watch on your laptop or other device in an airport or on a plane. Pick at least one or two movies that are old familiar favorites. Sometimes when you’re stuck in a terminal with poor food choices, a “comfort movie” can be your very best friend. In addition, I find it difficult to listen clearly to movies on an airplane or even in a noisy terminal (you don’t want the sound too loud, so you can hear updates on your flight’s delay), so it’s best to pick something where you already know what’s going on and don’t need to catch every last nuance of dialogue. Big goofy action films and physical comedies have an advantage over talkier films where you have to pay attention.

In compiling this list of specific recommendations, I tried to avoid the overwhelmingly obvious choices for watching movies in airports — personally, I don’t want to watch disaster films at times like this, or even spoofs of disaster films like that timeless comedy Airplane. The Terminal and Snakes on a Plane also a little too close for comfort. I thought instead of lighter fare, with scenes that emphasized the fantasy world of airline travel, good or bad, and the magic of escapism. Next time, I’m tucking a few of these in my laptop bag myself.

Continue reading Cinematical Seven: Movies to Watch While Stuck in an Airport

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Filed under: Action, Comedy, Romance, Universal, DIY/Filmmaking, Movie Marketing, Comic/Superhero/Geek

If ever there was a pairing to hipster fan-boys everywhere; it is Michael Cera and Edgar Wright. Think about it, Cera made a name for himself being the awkward hero, and who can write an unlikely hero better than the man who helped write the Blood and Ice Cream trilogy? In an interview with Wizard Universe, Wright got the chance to update the status of his indie-comic feature, Scott Pilgrim vs. the World (if you have also been waiting with bated breath for news on his Ant Man adaptation, there are a few tidbits to be had as well). So if you were worried that Pilgrim would fall by the wayside in the light of some of Wright’s other projects, fear not, all is well in Pilgrim-land.

The original series was about a young Canadian and wannabe-rock star who falls for an American girl with the memorable name of Ramona V. Flowers (aka, the perfect girl). But in order to win the lady fair, our slacker must defeat her seven evil ex-boyfriends in hopes of winning a date with his dream girl. Cera plays Pilgrim, the bassist for the terribly titled band, Sex Bob-Omb, and Mary Elizabeth Winstead will star as Ramona. Wright isn’t counting on making any more sequels the film as the comic was originally a 6-part series. Instead, Wright told Wizard that, “The script that we’ve written essentially covers all six. If it was at the level of Harry Potter we might be able to talk about doing six films but in this case our film is very much an adaptation of the entire six.”

Continue reading Edgar Wright Gives a Much Needed ‘Scott Pilgrim’ Update

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Filed under: Action, Sci-Fi & Fantasy, Thrillers, Distribution, 20th Century Fox

It comes as little surprise whenever a studio decides to kindly remove a film from a director’s hands — the situation with Lionsgate’s treatment of Punisher: War Zone still smells fishy from this end — but while most filmmakers would proceed to bite their tongues and salvage their careers, Mathieu Kassovitz begs to differ on his own film, the Vin Diesel vehicle Babylon A.D., which opens this Friday in an all-too-familiar August dump situation (joining it on the marquee: alleged comedies Disaster Movie and College).

In an exclusive interview with AMC’s sci-fi blog, Kassovitz admits that a troubled production and comprised final cut (at least in the States, although reviews from elsewhere aren’t much kinder) are responsible for turning his adaptation of Maurice Georges Dantec’s futuristic novel into “pure violence and stupidity… like a bad episode of ‘24′.”

Continue reading ‘Babylon A.D.’ Director Joins Critics of ‘Babylon A.D.’

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Filed under: Action, Drama, New Releases, Fandom

As I exited the screening of Traitor, the terrorism thriller starring Don Cheadle that opens on Wednesday, I noticed something odd in the closing credits: story by Steve Martin and Jeffrey Nachmanoff. The second guy is the film’s director. But that first guy … Steve Martin? The Steve Martin?

I knew the one-time Wild and Crazy Guy was a renaissance man. In fact, lately I’ve enjoyed his writing, which is clever, nuanced, and intelligent, more than I’ve enjoyed most of his movies. He apparently is not as selective about his film projects as he is about his writing. His novella The Pleasure of My Company is one of my favorite recent books, and Shopgirl (which was made into a film) is another surprisingly emotional gem.

But a terrorism thriller about Muslim extremists and FBI investigations? Even with the understanding that “typical Steve Martin” territory extends much further than the casual fan might realize, this was not typical Steve Martin territory. Checking out the film’s website, I found this explanation:

“Traitor began its journey to the big screen when Steve Martin presented an intriguing idea to producer David Hoberman while they were working together on the blockbuster comedy Bringing Down the House. Martin’s “what if?” scenario immediately captured Hoberman’s imagination with its provocative contemporary themes and surprising final twist.”

The production notes go on to describe Nachmanoff and Don Cheadle doing a lot of reworking of Nachmanoff’s script, which had been based on Martin’s original concept, so I don’t know how much of Martin’s idea is in the finished product. (He’s also credited as an executive producer.) But either way, as a huge fan of Martin’s, it’s always exciting to see him do something new. It’s also nice to know that something positive came out of Bringing Down the House.

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Filed under: Action, Sci-Fi & Fantasy, Thrillers, Distribution, 20th Century Fox

It comes as little surprise whenever a studio decides to kindly remove a film from a director’s hands — the situation with Lionsgate’s treatment of Punisher: War Zone still smells fishy from this end — but while most filmmakers would proceed to bite their tongues and salvage their careers, Mathieu Kassovitz begs to differ on his own film, the Vin Diesel vehicle Babylon A.D., which opens this Friday in an all-too-familiar August dump situation (joining it on the marquee: alleged comedies Disaster Movie and College).

In an exclusive interview with AMC’s sci-fi blog, Kassovitz admits that a troubled production and comprised final cut (at least in the States, although reviews from elsewhere aren’t much kinder) are responsible for turning his adaptation of Maurice Georges Dantec’s futuristic novel into “pure violence and stupidity… like a bad episode of ‘24′.”

Continue reading ‘Babylon A.D.’ Director Joins Critics of ‘Babylon A.D.’

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Filed under: Action, Casting, Warner Brothers, RumorMonger, Comic/Superhero/Geek, Remakes and Sequels

Although we’re chalking this up to the overeager and rarely reliable British press (England & Scotland, I love you, but your tabloids are crazy), it bears reporting anyway. According to The Telegraph, Cher is said to be in talks with Christopher Nolan to play Catwoman in the third Batman film.

Says some anonymous studio executive: “Cher is Nolan’s first choice to play Catwoman. He wants to her to portray her like a vamp in her twilight years. The new Catwoman will be the absolute opposite of Michelle Pfeiffer and Halle Berry’s purring creations.”

The same article also reports Johnny Depp as having signed to play the Riddler – and we all know that isn’t true. No one knows which villains will appear in the third film. Even Nolan’s participation is still up in the air, despite all of this breathless casting speculation, fan art, and fierce “Will they work in Nolan’s gritty real-world setting?” debate.

Now, don’t get me wrong — I actually love Cher and I think she could make a pretty cool Catwoman. But if Nolan does do a third film, and if he does include Catwoman, I want an actress that’s closer in age to Christian Bale. I’m not trying to be ageist, it’s more that I see Catwoman’s career as being a parallel to Batman’s, much like the Joker. I want that Batman: Year One story. But should they ever make The Dark Knight Returns (and there was much chatter after Comic Con that Frank Miller and Zack Snyder were at some kind of unofficial agreement on making it, so who knows), I nominate Cher to be the retired Selina Kyle. An older Catwoman deserves someone as awesome as Cher to play her — not the broken down wreck she was in the book. What do you think, readers? Cher for Catwoman and Nolan, or do you prefer the Angelina Jolie fantasy casting?

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Filed under: Action, Drama, New Releases, Fandom

As I exited the screening of Traitor, the terrorism thriller starring Don Cheadle that opens on Wednesday, I noticed something odd in the closing credits: story by Steve Martin and Jeffrey Nachmanoff. The second guy is the film’s director. But that first guy … Steve Martin? The Steve Martin?

I knew the one-time Wild and Crazy Guy was a renaissance man. In fact, lately I’ve enjoyed his writing, which is clever, nuanced, and intelligent, more than I’ve enjoyed most of his movies. He apparently is not as selective about his film projects as he is about his writing. His novella The Pleasure of My Company is one of my favorite recent books, and Shopgirl (which was made into a film) is another surprisingly emotional gem.

But a terrorism thriller about Muslim extremists and FBI investigations? Even with the understanding that “typical Steve Martin” territory extends much further than the casual fan might realize, this was not typical Steve Martin territory. Checking out the film’s website, I found this explanation:

“Traitor began its journey to the big screen when Steve Martin presented an intriguing idea to producer David Hoberman while they were working together on the blockbuster comedy Bringing Down the House. Martin’s “what if?” scenario immediately captured Hoberman’s imagination with its provocative contemporary themes and surprising final twist.”

The production notes go on to describe Nachmanoff and Don Cheadle doing a lot of reworking of Nachmanoff’s script, which had been based on Martin’s original concept, so I don’t know how much of Martin’s idea is in the finished product. (He’s also credited as an executive producer.) But either way, as a huge fan of Martin’s, it’s always exciting to see him do something new. It’s also nice to know that something positive came out of Bringing Down the House.

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Filed under: Action, Comedy, Thrillers, Warner Brothers, DIY/Filmmaking, Movie Marketing, Trailers and Clips

I know what you’re thinking — “Well, that’s just silly. Why would I want to watch the opening credits of a film?” Well, because these opening credits were designed by Danny Yount. I’m willing to bet you’ve watched and marveled over his work before. He did the opening credits for Kiss Kiss Bang Bang, Six Feet Under, and the closing credits of Iron Man. His latest masterpiece is RocknRolla, and he’s put it up online for you to enjoy on his official site. As far as I’m concerned, Yount is resurrecting a lost art, a care that used to be lavished on movie titles in the glorious golden days of Hitchcock. Watch it, enjoy, and wish that more movie productions would take the time and trouble to hire an artist like him.

[via the brilliant Mr. Beaks on Ain’t It Cool News]

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